#197 1880 10¢ Special Printing

Basic Information

Color: Deep Brown
Subject: Thomas Jefferson
Paper: Soft porous paper, without gum
Printing method: line-engraved intaglio on flat plates
Printer: Americanl Bank Note Co.
Perforations: 12
Scott #: 197
Known copies: 34
Issued: January 1st, 1880
#197 has a secret mark (see below)

Value

An unused stamp without gum: $16,000-$18,000

About the Special Printings

Hoe & Co. steam driven printing press

The 1880 Special Printings

The special printing was first issued in 1880, following the American Bank Note Company's buyout of the Continental Bank Note Company in 1879. They were created with the aim of allowing collectors to purchase high quality printings of stamps. However, as can be seen by the few surviving copies, the were largely ignored at the time.

Following the takeover, the original designs produced by the Continental Bank Note Company were printed on softer paper and featured greater variation in colour. They were the first stamps to be printed on A.B.N.Co’s new Hoe & Co steam driven printing press.

1880 vs. 1875 Special Printings

The 1875 special printings were printed by the Continental Bank Note Co. on hard white paper. The 1880 special printings were printed by the Amercican Bank Note Co. on soft porous paper. The 1875 printings are bright vibrant colors, the 1880 printings are a little duller.

The Secret Mark

#197
Click image to enlarge
Consult the identification guide
Click image to enlarge

#197 has a secret mark placed there by the new printers, the Continental Bank Note Company, to differentiate it from the previous printers stamps. The secret mark is an arc in the ball underneath the ‘E' of 'POSTAGE'.

The Inspiration for the Design

Hiram Powers' statue of Thomas Jefferson

The inspiration for the design of the 10¢ stamp, featuring Thomas Jefferson, was a marble statue by renowned American sculptor Hiram Powers.

Commissioned by President James Buchanan in 1859 for $10,000, this larger-than-life marble figure stands eight feet tall. It was installed in 1863 at the foot of the east staircase on the House side of the U.S. Capitol. His pose is inspired by Michelangelo’s David, featuring a slight shift in weight (contrapposto) and one hand raised near his shoulder