Colors: Green & violet Subject: Signing of the Declaration of Independence Paper: Hard wove paper Printing method: line-engraved intaglio on flat plates Printer:The National Bank Note Company Perforations: 12 Plates: Vignette: 24, frame: 20 Scott #: 120 Quantity issued: 248,925 Issued: April 7th, 1869
Value
An unused stamp with perfect gum:- An unused stamp with gum and a hinge mark: $1,500-$2,500 A used stamp:$90-$170
Usage
#120 on a first day cover, dated April 7th, 1869
#120 primarily designed for high-value postage, specifically to cover the double-weight rate on mail sent to Great Britain and other international destinations.
About the 1869 series
Alexander Randall Postmaster General 1866-69
The ‘G’ grill (9½ x9mm)
An inverted centre
The 1869 Pictorial Issue was a groundbreaking series of ten United States postage stamps released during the early weeks of the Grant administration. It marked a radical departure from postal tradition by featuring historical scenes and technological subjects instead of just portraits of statesmen. Though sought-after today, the Pictorials were unpopular at the time of their issue. Some Americans thought it unpatriotic to replace the nation’s leaders with other subjects. Though expected to be printed over a period of four years, the stamps were withdrawn from sale within a year of their release.
Key Characteristics & Significance First Pictorial Subjects: These were the first U.S. stamps to depict images other than prominent Americans, such as the 2¢ Post Rider and the 3¢ Locomotive. Two-Color Printing: This series introduced the first U.S. stamps printed in two colours (bicolour), which required the paper to be run through the press twice. Invert Errors: Due to the complex two-colour process, some sheets were fed upside down for the second printing, creating famous "inverts" (the 15¢, 24¢, and 30¢ values). These are among the most valuable rarities in philately. The "G-Grill": To prevent the reuse of stamps, the National Bank Note Company applied a "G-Grill" (a pattern of small indentations) to this issue, a feature unique to the 1869 series. A stamp without the grill is #130 the 1875 re-issue.
The Inverted Center
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#120b
Because these higher-denomination stamps (15¢, 24¢, and 30¢) required two separate passes through the printing press—one for the frame and one for the center picture—workers occasionally fed the sheets in upside down for the second impression. There are documented 3 used singles, one used pair, one on cover and the unique block of four, for a total of 94 copies
In reality the frame is inverted as the vignette was printed first.
The Inspiration for the Design
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#120 was inspired by John Trumbull's painting Declaration of Independence. It depicts the Committee of Five presenting their draft of the document to the Second Continental Congress
The massive 12-by-18-foot original hangs in the U.S. Capitol Rotunda in Washington, D.C.. A smaller original version (approx. 21 x 31 inches) is held at the Yale University Art Gallery. Standing prominently in the centre are (left to right) John Adams, Roger Sherman, Robert R. Livingston, Thomas Jefferson, and Benjamin Franklin.