Color: Ultramarine Subject: Benjamin Franklin Paper: Hard white wove paper, without gum Printing method: line-engraved intaglio on flat plates Printer:Continental Bank Note Co. Perforations: 12 Scott #: 167 Number sold: 388 (52 survivors) Issued:January 1st, 1875 #167 has a secret mark (see below)
Value
An unused stamp without gum: $5,000-$12,000
About the Special Printings
A poster for the 1876 International Exhibition
Click image to enlarge
The 1875 Special Printings In 1876 the United States celebrated 100 years of nationhood. A huge International Exhibition in Philadelphia, parades and events around the country were held as part of the celebrations. For it's part the Post Office re-issued all the stamps that had been issued up to 1875. They did not sell well and most of the production had to be destroyed. With the exception of the 1847 stamps they were valid for postage so used examples can be found.
These have been called the “special printings" of 1875. All the original plates were used bar US #1 and #2. The 1847 plates had to be reproduced as the originals were lost to history.
All the printings were on harder whiter paper than the originals and most had a shade difference from the originals. The 80% of the large banknote special printings have at least one side that has been cut with scissors.
1875 vs. 1880 Special Printings
The 1875 special printings were printed by the Continental Bank Note Co. on hard white paper. The 1880 special printings were printed by the Amercican Bank Note Co. on soft porous paper. The 1875 printings are bright vibrant colors, the 1880 printings are a little duller.
#167 has a secret mark placed there by the new printers, the Continental Bank Note Company, to differentiate it from the previous printers stamps. An arc of color can be seen in the ball to the left of the figure one.
The Inspiration for the Design
Benjamin Franklin bust by Jean-Antoine Houdon
The design of the orginal 1869 1¢ stamp with this vignette (#112) was inspired by a sculpture of Benjamin Franklin by Jean-Antoine Houdon, which is currently located in the Pennsylvania Academy of Fine Arts in Philadelphia.
It has been much debated whether Franklin actually sat for Houdon or if the sculptor captured his vividly accurate image from mere passing acquaintance. He would have had ample opportunity to observe the American minister at the Masonic lodge of the Nine Sisters to which they, as well as many other artists and patrons in the expatriate community (e.g., Count Stroganov; see Voltaire and Diderot), belonged. This cleanly truncated version, in modern dress, was clearly preferred by contemporary American statesmen and anticipates George Washington's insistence that Houdon's statue of him