Color: Dull Rose Subject: Abraham Lincoln Paper: Hard white wove paper, without gum Printing method: line-engraved intaglio on flat plates Printer:Continental Bank Note Co. Perforations: 12 Scott #: 170 Number sold: 185 (38 survivors) Issued:January 1st, 1875 #170 has a secret mark (see below)
Value
An unused stamp without gum: $6,500-$8,500
About the Special Printings
A poster for the 1876 International Exhibition
Click image to enlarge
The 1875 Special Printings In 1876 the United States celebrated 100 years of nationhood. A huge International Exhibition in Philadelphia, parades and events around the country were held as part of the celebrations. For it's part the Post Office re-issued all the stamps that had been issued up to 1875. They did not sell well and most of the production had to be destroyed. With the exception of the 1847 stamps they were valid for postage so used examples can be found.
These have been called the “special printings" of 1875. All the original plates were used bar US #1 and #2. The 1847 plates had to be reproduced as the originals were lost to history.
All the printings were on harder whiter paper than the originals and most had a shade difference from the originals. The 80% of the large banknote special printings have at least one side that has been cut with scissors.
#170 has a secret mark placed there by the new printers, the Continental Bank Note Company, to differentiate it from the previous printers stamps. There is extra shading in the curve of the ribbon on the left of the stamp.
The Inspiration for the Design
Abraham Lincoln’s bust by Sarah Fisher Ames
The design of the #170, which features Abraham Lincoln, was a marble bust sculpted by Sarah Fisher Ames. Ames, who was a professional sculptor and served as a Civil War nurse, reportedly knew Lincoln personally through her work and shared anti-slavery views.
The U.S. Capitol Version: One of her most famous marble busts of Lincoln was purchased by the Joint Committee on the Library in 1868 for $2,000. It is currently on display in the Senate wing (third floor, east corridor) of the U.S. Capitol Building.
Ames created at least five marble busts of the 16th president based on sessions where she sketched and modeled his features from life.