#172 1875 10¢ Special Printing

Basic Information

Color: Pale Brown
Subject: Thomas Jefferson
Paper: Hard white wove paper, without gum
Printing method: line-engraved intaglio on flat plates
Printer: Continental Bank Note Co.
Perforations: 12
Scott #: 172
Number sold: 180 (38 survivors)
Issued: January 1st, 1875
#172 has a secret mark (see below)

Value

An unused stamp without gum: $5,750-$13,000

About the Special Printings

A poster for the 1876 International Exhibition
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The 1875 Special Printings

In 1876 the United States celebrated 100 years of nationhood. A huge International Exhibition in Philadelphia, parades and events around the country were held as part of the celebrations. For it's part the Post Office re-issued all the stamps that had been issued up to 1875. They did not sell well and most of the production had to be destroyed. With the exception of the 1847 stamps they were valid for postage so used examples can be found.

These have been called the “special printings" of 1875. All the original plates were used bar US #1 and #2. The 1847 plates had to be reproduced as the originals were lost to history.

All the printings were on harder whiter paper than the originals and most had a shade difference from the originals. The 80% of the large banknote special printings have at least one side that has been cut with scissors.

The Secret Mark

#172
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Consult the identification guide
Click image to enlarge

#172 has a secret mark placed there by the new printers, the Continental Bank Note Company, to differentiate it from the previous printers stamps. The secret mark is an arc in the ball underneath the ‘E' of 'POSTAGE'.

The Inspiration for the Design

Hiram Powers' statue of Thomas Jefferson

The inspiration for the design of the 10¢ stamp, featuring Thomas Jefferson, was a marble statue by renowned American sculptor Hiram Powers.

Commissioned by President James Buchanan in 1859 for $10,000, this larger-than-life marble figure stands eight feet tall. It was installed in 1863 at the foot of the east staircase on the House side of the U.S. Capitol. His pose is inspired by Michelangelo’s David, featuring a slight shift in weight (contrapposto) and one hand raised near his shoulder