#194 1880 3¢ Special Printing

Basic Information

Color: Blue Green
Subject: George Washington
Paper: Soft porous paper, without gum
Printing method: line-engraved intaglio on flat plates
Printer: American Bank Note Co.
Perforations: 12
Scott #: 194
Known copies: 17
Issued: January 1st, 1880
#194 has a secret mark (see below)

Value

An unused stamp without gum: $62,500

About the Special Printings

Hoe & Co. steam driven printing press

The 1880 Special Printings

The special printing was first issued in 1880, following the American Bank Note Company's buyout of the Continental Bank Note Company in 1879. They were created with the aim of allowing collectors to purchase high quality printings of stamps. However, as can be seen by the few surviving copies, the were largely ignored at the time.

Following the takeover, the original designs produced by the Continental Bank Note Company were printed on softer paper and featured greater variation in colour. They were the first stamps to be printed on A.B.N.Co’s new Hoe & Co steam driven printing press.

1880 vs. 1875 Special Printings

The 1875 special printings were printed by the Continental Bank Note Co. on hard white paper. The 1880 special printings were printed by the Amercican Bank Note Co. on soft porous paper. The 1875 printings are bright vibrant colors, the 1880 printings are a little duller.

The Secret Mark

#194
Click image to enlarge
Consult the identification guide
Click image to enlarge

#194 has a secret mark placed there by the new printers, the Continental Bank Note Company, to differentiate it from the previous printers stamps. The shading under the leaf on the left under the ‘THREE’ is strengthened.

The Inspiration for the Design

George Washington bust by Jean-Antoine Houdon

Created in 1785 by French sculptor Jean-Antoine Houdon, the bust of George Washington is considered the most accurate likeness of the first U.S. president. Based on a life mask and clay model made at Mount Vernon, it captures Washington at age 53 with precise facial details, blending a Roman, toga-style aesthetic with realistic aging. It is considered one of the most accurate representations of Washington.