Color: Dull Rose Subject: Abraham Lincoln Paper: Soft porous paper, without gum Printing method: line-engraved intaglio on flat plates Printer:American Bank Note Co. Perforations: 12 Scott #: 195 Known copies: 30 Issued:January 1st, 1880 #195 has a secret mark (see below)
Value
An unused stamp without gum: $16,000-$18,000
About the Special Printings
Hoe & Co. steam driven printing press
The 1880 Special Printings The special printing was first issued in 1880, following the American Bank Note Company's buyout of the Continental Bank Note Company in 1879. They were created with the aim of allowing collectors to purchase high quality printings of stamps. However, as can be seen by the few surviving copies, the were largely ignored at the time.
Following the takeover, the original designs produced by the Continental Bank Note Company were printed on softer paper and featured greater variation in colour. They were the first stamps to be printed on A.B.N.Co’s new Hoe & Co steam driven printing press.
1880 vs. 1875 Special Printings
The 1875 special printings were printed by the Continental Bank Note Co. on hard white paper. The 1880 special printings were printed by the Amercican Bank Note Co. on soft porous paper. The 1875 printings are bright vibrant colors, the 1880 printings are a little duller.
#195 has a secret mark placed there by the new printers, the Continental Bank Note Company, to differentiate it from the previous printers stamps. There is extra shading in the curve of the ribbon on the left of the stamp.
The Inspiration for the Design
Abraham Lincoln’s bust by Sarah Fisher Ames
The design of the #195, which features Abraham Lincoln, was a marble bust sculpted by Sarah Fisher Ames. Ames, who was a professional sculptor and served as a Civil War nurse, reportedly knew Lincoln personally through her work and shared anti-slavery views.
The U.S. Capitol Version: One of her most famous marble busts of Lincoln was purchased by the Joint Committee on the Library in 1868 for $2,000. It is currently on display in the Senate wing (third floor, east corridor) of the U.S. Capitol Building.
Ames created at least five marble busts of the 16th president based on sessions where she sketched and modeled his features from life.