Colors:Black, gray black, intense black Subject:George Washington Plate: 3 Printing Method:die-to-relief-to-plate intaglio engraving process Printer:Toppan, Carpenter, Casilear & Co. Perforations:15½ Watermark:none Scott #:36B Quantity Issued: Not known Issued: June 1st, 1860
Value
An unused stamp with perfect gum: $15,500-$17,000 An unused stamp with gum and a hinge mark: $150-$450 A used stamp:$35-$70
Usage
#36B on a patriotic cover paying the 24¢ treaty rate to Great Britain
Usage The 1857 12¢ was primarily used to pay for heavier domestic mail, multiple rates, or international postage. It was commonly used for mail to Canada or, in combinations, to cover the 24¢ or 30¢ rates to Europe during the period just before the U.S. Civil War
Domestic Mail: It paid the 12-cent rate for a domestic letter weighing between 1.5 and 2 ounces (four times the standard 3-cent half-ounce rate). Pairs or strips were often used to cover even higher registration fees or heavy package rates
International Mail:: It was frequently used for mail traveling to Great Britain and other European destinations. The rate for most European countries was 27¢ so you would frequently see a strip of two 12¢, supplemented by a 1¢ stamp. For Russian the rate was 37¢ and which usually had a strip of three with the additional 1¢ stamp. For England the treaty rate was 24¢ and therefore you will commonly see two individual 12¢ or a pair of the 12¢ stamps on cover.
A Full pane
A pane of 100 of #36B. There were two panes to a sheet of 200
The inspiration for the design
The inspiration for the US Scott #13 10¢ stamp, issued in 1855, was based on a portrait of Geroge Washington by Gilbert Stuart.
The frame and lettering were engraved by Henry Earle. Earle is credited with engraving the lettering and frames for the 1851–1861 Issue of U.S. stamps. This includes well-known denominations like the 1c, 3c, and 10c stamps of that era, but not the 5¢ Jefferson
The 10-cent stamp is noted for being more faithful to the original Stuart painting than the 12-cent version, specifically in retaining more of the portrait's details.