#516 1917 30¢ P11

Basic Information

Color: Orange red
Subject: Benjamin Franklin
Watermark: NONE
Printing method: Flat plate
Perforations: 11
Scott #: 516
Quantity Issued: 164,803,000
Issued: May 12th, 1917

Value

An unused stamp with perfect gum: $12.50-$20
An unused stamp with gum and a hinge mark: $4-$6.50
A used stamp: $1-$1.50

#516a, #516b

#516a
Perf 10 at top or bottom

#516b
Double Impression

Changing from 10 to 11 perforations

#516 used as a revenue stamp

The United States Post Office changed the perforation gauge on flat plate stamp sheets from Perforation 10 (P10) to Perforation 11 (P11) in early 1917 because P10 was too difficult to separate without damaging the stamp.

This transition represented the final step in a decade-long trial-and-error process by the Bureau of Engraving and Printing to find a balanced perforation standard:

Perforation 12 (Used until 1914): The Post Office originally used P12, but the holes were punched too closely together. Heavy-use businesses complained that the sheets were too flimsy and brittle, frequently falling apart and tearing prematurely at the slightest touch.
Perforation 10 (1914–1917): In an attempt to strengthen the sheets, the Bureau switched to a wider P10 gauge. However, this went too far in the opposite direction. The holes were spaced too far apart, making the paper too tough to tear. Postal clerks and citizens frequently ripped or ruined the stamps when trying to separate them from the sheet.

Perforation 11 (Introduced 1917): P11 was implemented as the ideal "Goldilocks" middle ground. It provided enough structural integrity so sheets wouldn't fall apart during shipping, while remaining clean and easy enough to tear apart by hand.

Usage and a pane

#516 earliest documented date of use, January 12th, 1918

In 1917, the 30¢ paid for heavy parcels, multi-rate registry/special delivery combinations, or heavy international/foreign destination mail

The Plates

#516 was issued with the following plate #'s

Number only
6899, 6911-14, 6917 , 6921, 6924, 6927-28

The Inspiration for the Design

Benjamin Franklin bust by Jean-Antoine Houdon

The portrait of Benjamin Franklin used for the vignette was adapted from a sculpted bust created by the renowned French artist Jean-Antoine Houdon in 1778. The Bureau of Engraving and Printing's primary designer, C. Aubrey Huston, utilized the profile from this famous sculpture for the Franklin profile, which was then engraved by artists Marcus W. Baldwin, Edward M. Hall, and Robert Ponickau.