Color: Black Subject: Andrew Jackson Printing method: line-engraved intaglio on flat plates Printer:The National Bank Note Company Perforations: 12 Watermark: none Type of Grill: F Scott #: 93 Plate: 53 Quantity issued: 50,000,000 Issued: Mid March, 1868
Value
An unused stamp with perfect gum:$450-$750 An unused stamp with gum and a hinge mark: $80-$100 A used stamp:$15-$25
F Grill Detail
Over 95% of grills are either E or F grills. The A, B, C, and D grills had proved to be unsatisfactory, mostly due to their presence on the stamp making the stamp difficult to separate. The Z grill did not have that problem but for whatever reason it was printed in very limited quantities. The F grill was the last of the grills. Grilling was expensive and it was increasingly seen that there was no need for it. Grilling did have a benefit; it helped the National Banknote Company win the contract Points: 11-12 x 15-17 points Size: 9 x 13mm
Usage
#93 on an illustrated advertising cover
A new stamp was needed to pay for the increased 2¢ rate for circulars and drop letters. #93 was primarily used for prepaying the 2¢ postage rate for "drop letters" (delivered within the same post office), circulars, and newspapers during the early Civil War era. It was the standard adhesive for low-weight, local mail and printed matter.
Drop Letters: It was used for local "drop letters" (mail delivered within the same post office area). Printed Matter: Used for newspapers, circulars, and unsealed printed matter for up to 4oz. There are no surviviing examples of #73 on such. Make-Up Rate: It was frequently used in combination with other stamps to make up higher rates, particularly during the Civil War, or sometimes cut in half to act as a 1-cent stamp (see below)
Bisected Stamps
#93a Vertical half used as 1¢ as part of 3¢ rate on cover.
Value: $250-$450
#93b Diagonal half used as 1¢ as part of 3¢ rate on cover.
Value: $1,100
#93c Horizontal half used alone as 1¢ on cover.
Value: $500-$1,000
#93d Diagonal half used alone as 1¢ on cover..
Value: $5,250
The Inspiration for the Design
John Wood Dodge painting of Andrew Jackson
The Portrait It is believed that the engraved head is after a miniature painting of Jackson, at age 78, done by John Wood Dodge (1807-1893). Jackson is said to have sat for the painting in 1842, at which time he was living in retirement at the Hermitage, his home near Nashville
The Political Motivation The choice of Andrew Jackson was highly symbolic during the Civil War. Jackson was a transformative figure in the Democratic Party who was also a staunch Unionist, and placing his likeness on a stamp was intended to send a strong pro-Union message to the Confederate States of America.