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#488 - 1916 2ยข No watermark, perf. 10 horizontally - TYPE III

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Basic Info

2¢ carmine, light carmine or dark carmine
TYPE III (see below)

Subject: George Washington
Printing Method::
Rotary press
Perforations:
10 horizontally
Watermark::
no watermark
Scott #:
488
Quantity Issued:
5,101,663,500
Issued:
1916

Value

Used
$2 - $2.50
No postmark with gum (MH)
$1 - $2
Full perfect gum, no postmark
no trace of stamp hinge mark (MNH)
$2 - $4

Joint Lines

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A solid line between two stamps, seen along the perforations in the middle, was the joint where two plates meet, the ink fills in the gap. They would be placed between each pane of 15 stamps. They can triple the value of the pair.

The right perforation

Prior to this stamp coils had been issued in all manner of perforations. If the perforation was too large the stamps tore whilst separating from each other. Too small and the coils of stamps broke apart before they could be sold. The 10 perforation proved to be the ideal balance for coil stamps, and from this point on all coil stamps were issued with this perforation.

Earliest documented use

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Earliest documented date of use, April 25th, 1917

The Design Inspiration

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Bust of George Washington
by Jean-Antoine Houdon
1785
The source of the design

How to identify a Type II

THE LEFT RIBBON'S DISTINGUISHING FEATURE

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TYPE I, Ia and II
There is but a single shading line in the top fold of the ribbon at the left.
TYPE III
There are two shading lines in the top fold of the ribbon at the left.

THE RIGHT RIBBON'S DISTINGUISHING FEATURES

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TYPE I, Ia and II
There is but a single shading line in the bottom fold of the ribbon at the right.
TYPE III
There are two shading lines in the bottom fold of the ribbon at the right

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TYPE I and Ia
The first shading line after the first ribbon fold of the right ribbon often appears as a single, unbroken line. At times there maybe one or two indistinct breaks. The bottom third of the line often appears stronger
TYPE II and III
The first shading line after the first ribbon fold of the right ribbon usually appears as a series of three dashes

THE BUTTON'S DISTINGUISHING FEATURE

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TYPE I
The outline of the toga button is thin and sometimes broken
TYPE Ia
The outline of the toga button is stronger than the other types
TYPE II and III
The outline of the toga button is complete and fairly strong

THE LOCK OF HAIR'S DISTINGUISHING FEATURE

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TYPE I and Ia
The lock of hair on Washington's cheek will show only a faint, often broken, vertical line along its left edge. It will be slightly stronger on type Ia, but not as strong as type II and III
TYPE II
The lock of hair on Washington's cheek will show a distinct vertical line along its left edge, joining at least four of the horizontally engraved lines of the cheek
TYPE III
The lock of hair on Washington's cheek will show a distinct vertical line along its left edge, joining at least five of the horizontally engraved lines of the cheek

THE MOUTH'S DISTINGUISHING FEATURE

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TYPE I
The dark line forming the mouth is almost straight or may even curve slightly upward at the corner of the mouth
TYPE Ia
The dark line forming the mouth is a strong straight line with a downward stroke at the corner of the mouth
TYPE II

The dark line forming the mouth is crooked
TYPE III
The dark line forming the right end of the mouth is crooked and it also dips down

THE EAR'S DISTINGUISHING FEATURE

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TYPE I and Ia
Directly below the ear there are several shading lines which are clearly severed, resulting in the appearance of a thin, white, vertical line
TYPE II
Directly below the ear there are several shading lines which are severed, and the breaks are narrower than those of the type I stamp. Thus the impression is of a thinner and shorter white line, although certainly more pronounced than the type III design.
TYPE III
Directly below the ear the shading lines have been closed up to such a point, that the thin white line visible in type I, Ia and type II designs has all but dissapeared.

THE PONYTAIL'S DISTINGUISHING FEATURE

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TYPE I and Ia
The two lines shading the hair at the top of the ponytail, directly behind the ear are of unequal length
TYPE II
The two lines shading the hair at the top of the ponytail, directly behind the ear are approximately the same length, the bottom one being very slightly shorter
TYPE III
The two lines shading the hair at the top of the ponytail, directly behind the ear are approximately the same length, the top one can be slightly longer

The 1916-22 Coils

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486
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487
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488
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489
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490
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491
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492
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493
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494
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495
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496
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