Basic Information
Color: Dull Blue
Subject: Fremont on Rocky Mountain
Watermark: Watermarked double-lined USPS
Paper: Soft porous paper
Printing method: line-engraved intaglio on flat plates
Perforations: 12
Scott #: 288
Quantity issued: 7,694,180
Issued: June 17th, 1898
Value
An unused stamp with perfect gum: $37.50-$57.50
An unused stamp with gum and a hinge mark: $12-$17
A used stamp: $1-$2
About the Trans-Mississippi Series
A pane of #288
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Promoting the "New West"
The primary reasoning was to showcase the prosperity and progress of the states and territories west of the Mississippi River. Unlike the previous 1893 Columbian stamps, which focused on historical discovery, the Trans-Mississippi designs highlighted modern achievements and frontier life. Key themes included:
Settlement and Agriculture: Encouraging people to move to and invest in "unclaimed" Western lands.
Technological Advancement: Depicting engineering feats like the Eads Bridge in St. Louis to represent the region's industrial growth.
Pioneer Spirit: Using images of buffalo hunting and farming to evoke a nostalgic but promising vision of the frontier.
Strategic Revenue Generation
Following the massive success of the 1893 Columbian series, the Post Office Department recognized that special commemorative sets were highly profitable. By offering a wide range of denominations—from 1¢ to $2—they aimed to generate substantial revenue through sales to collectors.
About the Trans-Mississippi Exhibition
The arch of the states
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Inside an exhibition building
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The Trans-Mississippi and International Exposition, also known as the Omaha Worlds Fair, was a grand world’s fair held in Omaha, Nebraska, from June 1 to November 1, 1898. Often referred to as the Omaha World's Fair, its primary goal was to showcase the rapid development and economic recovery of the American West following the financial panic of 1893.
Key Features & Attractions
The Grand Court: The heart of the 184-acre site featured a two-thousand foot-long lagoon designed to resemble Venetian canals hosted gondola rides as a whimsical form of transportation throughout the fair.
The "White City": Like the 1893 Chicago World’s Fair, the buildings were constructed of staff (a mixture of plaster and horsehair) and painted white, giving them a marble-like appearance. Designed in Renaissance style reflected ancient Greek and Roman influences and possessed strenuous constraints on color, scale and height. All was built out of cheap materials or designed not to last, at the end of the exposition it was all removed.
Electrical Illumination: One of the most stunning features was the use of over 20,000 electric light bulbs to illuminate the fairgrounds and lagoon at night—a brand-new marvel at the time.
Indian Congress: A massive gathering of over 500 Native Americans from 35 different tribes, including notable figures like Apache leader Geronimo.
Entertainment: Visitors enjoyed carnival rides, a giant seesaw, and Buffalo Bill Cody's Wild West show
Attendance & Legacy
Visitors: Over 2.6 million people attended the five-month event, including President William McKinley and William Jennings Bryan.
Economic Success: Unlike many other world's fairs, it was a financial success, paying back roughly 90% of its initial investment.
Current Site: Most of the temporary structures were demolished shortly after the fair closed. Today, the site of the Grand Court is home to Kountze Park in North Omaha.
Exhibits Today: You can still see artifacts, souvenirs, and a scale model of the fairgrounds at The Durham Museum in Omaha.
The Abandoned Bi-Color Plan
288E
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It was intended to print the Trans-Mississippi issue with a black vignette and a frame in color. The bi-color idea had to be abandoned because of the fact that the Spanish American War, which broke out in April, 1898, necessitated the printing of enormous quantities of revenue stamps and the facilities of the Bureau were taxed to the utmost . The time and manpower needed for the printing of stamps in two colors could not be spared and it was necessary for the Bureau to abandon the proposed bi-color stamps in favor of stamps of single colors.
Usage
A #288 first day cover dated June 17th, 1898
The 5¢ stamp was primarily used to meet the 5-cent U.S. postage rate for letters to foreign countries within the Universal Postal Union (UPU). It was a staple of late 19th-century US international postage
Plates
#288 was issued with the following plate #'s
602, 614, 618
The Inspiration for the Design
Fremont woodcut engraving
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The vignette was based on one of many woodcut engravings of Fremont raising the American flag in the Rocky Mountains during his 1842-1843 expedition.
John Charles Frémont (1813–90) was an American explorer and cartographer for the US Topographical Engineers who crossed Colorado on various expeditions. Between 1842 and 1853, Frémont led five western expeditions with numerous objectives. He was also involved in the Mexican-American War (1846–48) in California, became one of California’s first senators, ran for president in 1856, served as commander of the army’s Department of the West during the Civil War, and became very wealthy through speculation in railroad development, only to lose his property and savings.