Colors: Rose, dull rose Subject: George Washington Plates: 2 through 8 Printing Method: die-to-relief-to-plate intaglio engraving process Printer:Toppan, Carpenter, Casilear & Co. Perforations: 15 or 15½ Watermark: none Scott #: 25 Type: I Quantity Issued: 38,271,500 Issued: February 28th, 1857
Value
An unused stamp with perfect gum:$4,250-$5,000 An unused stamp with a hinge mark: $200-$250 A used stamp:$8-$15
Notable Stamps
The ‘forked lightning’ flaw Position 48R7
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#25 (a?) Horizontal imperf. pair
#25b Vertical imperf. pair
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A full pane
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Demonetisation: This stamp was invalidated (demonetised) in 1861 at the start of the American Civil War. This was done to prevent the Confederate States from using their existing stocks of US stamps to fund their war effort.
Mandatory Use: Shortly before this era (1856), the Post Office abolished the "cash option," making the use of adhesive stamps compulsory for mailing letters.
Usage
A cover with the rare two line Cumberland, Maine precancel
Domestic Rates
The three cent stamp paid the ordinary letter rate, and two or more would be required on double, triple, etc., letters. Its main purpose was to pay the 3-cent rate for a single-weight (up to 1½ ounce) domestic letter sent less than 3,000 miles. A letter weighing less than ½ an ounce was single rate. Each additional ½ ounce was charged an additional single stamp. Letters sent more than 3,000 miles (California) would pay a rate of 10¢ for each ½ ounce.
It was the "workhorse" stamp of its era, used for everyday personal and business correspondence before being demonetized at the start of the Civil War in 1861.
Foreign Rates
The foreign rates were higher and the 3¢ stamps would be used as part of a combination used to make up the required rate.
Types of the 1857 3¢
Type I (#25)
Type II (#25A)
Type III (#26)
Type IV (#26A)
The Inspiration for the Design
The design of US stamp #25 was inspired by a bust of George Washington created by the French neoclassical sculptor Jean-Antoine Houdon
Portrait Source Houdon created the original bust from a plaster life mask and wet clay models during a 1785 visit to Mount Vernon at the invitation of Benjamin Franklin. It is considered one of the most accurate representations of Washington. Artistic Elements The stamp depicts Washington in profile facing left, with his hair tied back and his shoulders draped in a Roman toga.